Marc Nash's 28 Far Cries is, as the title suggests, a collection of twenty-eight short stories. Lately, I've been really enjoying the flash fiction format, so when I saw that the stories contained within this volume were all flash fiction, I welcomed the challenge.
I'm not entirely unfamiliar with Mr. Nash's work, as I have been involved in countless discussion threads with him over the past year; however, this was my first real reading of his work.
The stories in 28 Far Cries are unrelated in theme and characters, and this makes the collection a good sample of Mr. Nash's work. There are some collections where the diversity of themes and subjects make the collection feel disjointed, nevertheless, this was not the case here.
That being said, I spent the past three days contemplating how to review 28 Far Cries. I must admit that, as a reader, I was a little torn as to how I should rate it. The stories are easy to read, and the text is well edited, so there was no problem there. Yet, I found myself contemplating the literary worth of the stories, and their value as stories.
Mr. Nash created tales without a beginning or an end. Tales that come out of nowhere, allow the reader a glimpse of space and time, and depart. This, for me, was a new reading experience. I can only consider that, unlike most authors who want the reader to consider a situation, a character, or a setting, Mr. Nash explores a thought and the language appropriate for that thought.
It is the language itself, which makes these stories worth reading, as Mr. Nash creates feelings through words. At first, from the traditional storytelling perspective, I was leaning towards a three-star rating. But the longer I thought about it, the more I recognized that these stories are worth more, for the author severed traditions and embarked on his own, uncompromising quest. And while some of the stories in this collection did not speak to me personally, I must admire the artist's effort and attitude.